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  some ways to consider objects

PART I - Fleming's Five Step Classification Process


 Provide the following information about your  artifact:

a) History:
Where and when it was made, by whom, for whom, and why; and any successive changes in  condition, or function.

b) Material: What material/s is the object made from?

c) Construction: What are the techniques of manufacture employed? Is there any evidence about workmanship?

d) Design: What is the structure, form, style, ornament, and iconography involved in this object?

e) Function: What is the intended role(s) of this object in the culture it was made for?

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PART II. Description


Now look carefully at the object. Consider its' form and decoration. It will help to try to draw it yourself in order to be able to describe it. Pretend that you are telling someone about the object in a letter or over the telephone. That person cannot see the object and is not familiar with it.

Describe it in your own words. Tell about the size and shape of the object and the pattern on the surface. How well can you convey the appearance of an object through words?

Test yourself and your description. Without looking at the image, read what you have written and try to draw the form and ornament precisely as you have described them. Have you said enough about the shape? Have you stated how the parts relate to each other or where the ornament is positioned?

Please note that while here you are asked to describe a single object so completely that you could then draw it, most descriptions are not as complete. They usually say only enough to satisfy the immediate purpose.

PART III. Fleming's Four Operations


Now turn to Fleming's four operations to answer some of the important questions we can ask about an object. Choose any ONE of the three objects for this part of the exercise.

A. Identification
Based on your identification label, how would you classify this object? Is it authentic? What is it?

B. Evaluation
How good an example is it of its' kind? How would you rate its aesthetic quality and workmanship?

C. Cultural Analysis
And now you are ready to explore the cultural context of the object. You can analyze it in terms of your own experience.  Some questions may be helpful in your thinking about cultural context.

Consider your object. Who might use it? What might they do with it? In what situations? What kind of human relationships does the object suggest? What is the significance of the relationships? And therefore, what does the object tell us about us and our culture?

Consider the object as a vehicle of communication - what does it say in terms of status, values, feelings, meanings?

Consider the object as a vehicle of delight - what does it say in terms of form and decoration?


D. Interpretation
An artifact is not subject to just one `correct' interpretation. This will vary by audience and by the person interpreting it. What is your opinion of the object? Why do you hold that opinion, and how did you arrive at it?