The Philosophy of Art

Suzanne Duchamp. Broken and Restored Multiplication 1918-19. Oil and Silver, paper on canvas. Art Institute, Chicago.

What is art? What is a craft? What is aesthetic value? Is art a language? Why are specific works considered worthy to be exhibited in museums and preserved for future generations? Should art be part of everyday life? Philosophers have debated questions like these and developed ideas and theories about art. Critically reviewing and evaluating theoretical approaches will broaden understanding of the questions raised about works of art and offer tools in an assessment of artistic pursuits. Since the Philosophy of Art emerged as a discipline in the 18th century in Europe, the exploration of artistic pursuits will include insights regarding the historical roots of the theoretical discussions and exemplary reflections of these in the field of art. Thus, it is with the following thesis that we will proceed: knowledge and understanding of the aesthetic philosophy of the Western past and present will provide a foundation that allows us to frame and critically discuss significant issues raised about artworks.

Objectives:

 

Topical Outline:

Requirements:

Assignments - 20% of your accumulative grade will be determined by a number of assignments. In these assignments, you will write an analysis of certain philosophical arguments and give a critical response.  Please check the instructions on Arguments and Their Evaluation (http://www.unco.edu/philosophy/arg.html) in preparation for these assignments. The assignments will enhance your ability to work on analyses, interpretations, and philosophical arguments. These assignments are written in a computer-lab during class sessions (1-2 pages; double spaced 12 point font). The grading criteria will particularly focus on clarity, creativity, and depth of presentation in your interpretation and critical analysis of your sources.

Reading Questions – Each assigned reading includes questions (see tentative reading list in Blackboard).You will be required to answer these questions in preparation for class discussions. I will collect these readings with the mid-term and final paper. The responses must be submitted in print and cannot include your notes from class.

Mid-Term:

Students also have to submit a draft analysis (mid-term) of a philosophical argument of their choice based on a selection from the various readings in class.
The analysis must include the following:
a)         Title
b)         Source for the philosophical argument (primary text)
c)         Brief introduction to the topic in which the proposition is identified
d)         Analysis of the argument selected for the paper which offers a fair representation of the problem
e)         Premises
f)          Conclusion

g)         Bibliography including primary and secondary sources

Term Paper:  You will be required to use the text and analysis that you chose for your mid-term. Please extend your research in order to write your own critical response. For this purpose, you should plan to spend time in the library. You are required to read at least three academic sources, in addition to your primary philosophical text. The goal of the research is that you enhance your understanding and your ability to critically analyze your chosen philosophical argument. Check more comprehensive instructions and a list of specific requirements for the term paper in Blackboard. Please do not hesitate to visit me in the office to discuss your research project and keep in mind that it takes time to develop critical thought. Therefore, choose your philosopher early on during the course and begin your research. 

Please do not plagiarize. Keep in mind that this class follows the Academic Honesty Philosophy Statement of the College of DuPage. The assignments must be your own work. The following website offers advice and examples how to acknowledge your sources: Sources and Citations (http://www.dartmouth.edu/~writing/sources/). Please think about your choices seriously and remember, what you find as a source, your teacher can detect as well! Again, proven plagiarism will earn you an F for the class, possibly a meeting with the Associate Vice President for Student Affairs, including a formal report and/or an appearance before a Judicial Board.

Participation – While I will offer overviews in some lectures on the general development of philosophical ideas, we will especially focus on a number of philosophers in extensive class discussions. Practicing your argumentative skills is vital in philosophy. Lively discussions do not only make this a much more interesting class but participation accounts for 20% of the accumulative grade.

Attendance You are responsible to keep up with materials missed including the computer sessions and assignments.  If you must miss a class, please let me know in advance when possible. Please, also avoid coming late to class. Respect for others will make this class a much more enjoyable and conducive place for exploring, thinking, and learning. Therefore, be considerate of your student companions.

 

Grading

Class Discussion (20%)

20%

Responses to the Reading Questions

2x10%

Mid-Term  

15%

Term Paper

25%

2 Assignments
(10% each)

20%

 

 

Commitment
I promise to give every effort and knowledge to stimulate your interest in and curiosity about the topic. I will give guidance for your work and will respond to your work as promptly and honestly as possible. Please contact me for any questions. If you participate in this course, I expect you to complete your assignments regularly, be prepared with your readings and contribute to the discussions in class. You are allowed one unexcused class. Yet, you are responsible to keep up with what you missed in particular the computer sessions and assignments. Respect for others will make this class a much more enjoyable and conductive place for exploring, thinking, and learning. Therefore, please be considerate of your student companions. Please be aware that I do not drop students from this class in case of non-attendance.


Course Materials

Stephen Cahn and Aaron Meskin eds. Aesthetics. A Comprehensive Anthology. Malden/Oxford: Blackwell, 2008.

Michel Foucault. This is not a pipe. Berkeley: University of California Press, 1983.

 

 


Prof. Eva Maria Räpple, Ph.D.

College of DuPage

Tel. 630 942 3983

e-mail: raepple@cod.edu